AYTUN\u00c7 AYHAN<\/strong> – <\/p>\n\n\n\n

Ressam, karikat\u00fcrist, seramik\u00e7i, \u015fair, sinemac\u0131, senarist ve daha pek \u00e7ok alanda eserler vermi\u015f \u00e7ok \u00f6zel bir sanat\u00e7\u0131d\u0131r Abidin Dino. Bir\u00e7ok alanda eser vermi\u015f, d\u00f6nemin zor \u015fartlar\u0131na ve b\u00fct\u00fcn engellemelere ra\u011fmen yarat\u0131c\u0131 ki\u015fili\u011fini eserlerinde g\u00f6sterebilmi\u015f bir sanat\u00e7\u0131 ruhtur.<\/p>\n\n\n\n

1913 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fan, \u00e7ocuklu\u011funu \u0130svi\u00e7re\u2019de ge\u00e7iren bu pa\u015fa torununun ad\u0131n\u0131 ald\u0131\u011f\u0131 dedesi Arnavut as\u0131ll\u0131 Abidin Pa\u015fa, II. Abd\u00fclhamit\u2019in saray\u0131nda silah\u015for olarak g\u00f6rev yapan, \u00e7e\u015fitli valiliklerde bulunan bir devlet adam\u0131 ve yazard\u0131r. Arnavut\u00e7a, Arap\u00e7a, Fars\u00e7a, Frans\u0131zca, Yunanca bilen Abidin Pa\u015fa, Mevl\u00e2n\u00e2’n\u0131n Mesnevi’sini Osmanl\u0131 T\u00fcrk\u00e7esiyle dilimize kazand\u0131rm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

1925\u2019te ailesi ile beraber \u0130stanbul\u2019a d\u00f6nd\u00fckten sonra Robert Kolej\u2019de ba\u015flad\u0131\u011f\u0131 e\u011fitimini anne ve babas\u0131n\u0131n vefatlar\u0131 nedeniyle devam edemeyen Dino, \u015fair a\u011fabeyinin de deste\u011fiyle sanat \u00e7al\u0131\u015fmalar\u0131na ba\u015flar. 1930 y\u0131l\u0131nda \u00e7izdi\u011fi toplumsal i\u00e7erikli ele\u015ftirel karikat\u00fcrleri ile dikkat \u00e7eker. 1933\u2019de ressam ve heykelt\u0131ra\u015f arkada\u015flar\u0131 ile beraber D grubunu kurar. Gruptakilerin aksine hi\u00e7 resim e\u011fitimi almayan Dino, tam bir desen ustas\u0131 oldu\u011funu k\u0131sa s\u00fcrede g\u00f6sterir. K\u00fcbizm ve Fovizm gibi ak\u0131mlara y\u00f6nelen di\u011fer arkada\u015flar\u0131ndan farkl\u0131 bir tarzda, desen a\u011f\u0131rl\u0131kl\u0131 resimler yapar.<\/p>\n\n\n\n

Bu arada T\u00fcrkiye, Cumhuriyetin 10. Y\u0131l\u0131 dolay\u0131s\u0131yla g\u00f6rkemli etkinlikler yapmaya haz\u0131rlanmaktad\u0131r. \u00dcnl\u00fc Sovyet y\u00f6netmen Yutkevi\u00e7 bu ama\u00e7la T\u00fcrkiye\u2019ye \u00e7a\u011fr\u0131l\u0131r ve kendisinden \u201cT\u00fcrkiye\u2019nin Kalbi: Ankara\u201d isminde bir belgesel \u00e7ekmesi istenir. Belgeselde Ankara\u2019n\u0131n ba\u015fkent olarak on y\u0131lda nas\u0131l bir de\u011fi\u015fim ge\u00e7irdi\u011fi g\u00f6sterilir.<\/p>\n\n\n\n

Resim sanat\u0131na b\u00fcy\u00fck ilgi duyan Yutkevi\u00e7 ile Dino\u2019nun tan\u0131\u015fmas\u0131 fazla uzun s\u00fcrmez. Dino, \u00fcnl\u00fc Rus y\u00f6netmenin daveti \u00fczerine onun dekorat\u00f6r\u00fc olarak \u00e7al\u0131\u015fmak \u00fczere 1934\u2019te Sovyetler Birli\u011fi\u2019ne gider. Leningrad\u2019da \u00fc\u00e7 y\u0131l kal\u0131r, Yutkevi\u00e7\u2019in y\u00f6netti\u011fi \u201cMadenciler\u201d filminin sanat y\u00f6netmenli\u011fi yapar.  Bu arada \u201cPotemkin Z\u0131rhl\u0131s\u0131\u201dn\u0131n \u00fcnl\u00fc y\u00f6netmeni Sergey Ayzen\u015ftayn\u2019dan sinema e\u011fitim al\u0131r.<\/p>\n\n\n\n

Y\u0131llar sonra Dino, final ma\u00e7\u0131n\u0131n uzatmas\u0131nda \u0130ngiltere Milli tak\u0131m\u0131n\u0131n att\u0131\u011f\u0131, topun \u00e7izgiyi ge\u00e7ip ge\u00e7medi\u011fi konusu h\u00e2l\u00e2 tart\u0131\u015fmal\u0131 gol\u00fcyle tarihe ge\u00e7en 1966 D\u00fcnya Kupas\u0131\u2019n\u0131n belgeselini haz\u0131rlar. Her D\u00fcnya Kupas\u0131 \u00f6ncesi eski d\u00fcnya kupalar\u0131 belgesellerinin verildi\u011fi TRT\u2019de Halit K\u0131van\u00e7\u2019\u0131n sunumuyla Abidin Dino\u2019nun y\u00f6netti\u011fi \u201cGol\u201d filmi de verilir. Abidin Dino bu belgesel filminde, saha i\u00e7ine yerle\u015ftirdi\u011fi kameralarla ve yak\u0131n \u00e7ekimlerle, di\u011fer D\u00fcnya Kupas\u0131 belgesellerinden \u00e7ok farkl\u0131 bir sinematografi sunar izleyicilere.<\/p>\n\n\n\n

1941 y\u0131l\u0131 Abidin Dino i\u00e7in s\u00fcrg\u00fcn y\u0131llar\u0131n\u0131n ba\u015flang\u0131c\u0131d\u0131r. \u00dc\u00e7 sene Sovyetler Birli\u011fi\u2019nde kal\u0131r. Yurda d\u00f6nd\u00fckten sonra bir taraftan resim \u00e7al\u0131\u015fmalar\u0131na devam ederken, bir taraftan da T\u00fcrkiye Kom\u00fcnist Partisi\u2019ne kat\u0131l\u0131r. Siyasi nedenlerden dolay\u0131 \u00f6nce \u00c7orum\u2019un bir il\u00e7esi olan Mecit\u00f6z\u00fc\u2019ne, sonra d\u00f6nemin ba\u015fbakan\u0131 \u015e\u00fckr\u00fc Sara\u00e7o\u011flu\u2019nun \u00f6zel izni ile Adana\u2019ya s\u00fcrg\u00fcn edilir. Zaman\u0131nda dedesinin vali oldu\u011fu Adana\u2019n\u0131n, yine dedesinin ad\u0131n\u0131 ta\u015f\u0131yan Abidinpa\u015fa Caddesini, burada evlendi\u011fi e\u015fi G\u00fczin Dino ile beraber ar\u015f\u0131nlar. Dino\u2019nun Orhan Kemal ve Ya\u015far Kemal ile y\u0131llar s\u00fcrecek dostlu\u011fu da bereketli \u00c7ukurova\u2019n\u0131n kalbi olan bu \u015fehirde ba\u015flar.<\/p>\n\n\n\n

S\u00fcrg\u00fcn y\u0131llar\u0131ndan sonra seramik alan\u0131na y\u00f6nelen Dino, Anadolu\u2019nun kadim \u00e7anak \u00e7\u00f6mlek gelene\u011fini modern bir anlay\u0131\u015fla sentezler. Seramik \u00e7al\u0131\u015fmalar\u0131nda kom\u00fcnizm propagandas\u0131 yapt\u0131\u011f\u0131 gerek\u00e7esiyle hakk\u0131nda tutuklama celbi \u00e7\u0131kar\u0131l\u0131r. O esnada \u0130talya\u2019da bulunan Dino, yurda d\u00f6nmez ve Paris\u2019e yerle\u015fir.<\/p>\n\n\n\n

Dino\u2019nun 1951\u2019de ba\u015flayan Paris y\u0131llar\u0131 son derece verimli ge\u00e7er. Bir\u00e7ok sanat\u00e7\u0131y\u0131 tan\u0131ma f\u0131rsat\u0131n\u0131 yakalayan Dino,  \u00fcnl\u00fc ressam Pablo Picasso ile de bu d\u00f6nemde tan\u0131\u015f\u0131r. Picasso\u2019nun i\u015flerini kopya etmekle ba\u015flayan dostlu\u011fu uzun y\u0131llar devam eder.  Paris\u2019te bir\u00e7ok sergiye kat\u0131l\u0131r. \u201cUzun Y\u00fcr\u00fcy\u00fc\u015f\u201d tablosu ba\u015fta olmak \u00fczere, resim ve seramik \u00e7al\u0131\u015fmalar\u0131 b\u00fcy\u00fck yank\u0131 uyand\u0131r\u0131r.<\/p>\n\n\n\n

1950\u2019lerin ortalar\u0131nda resim tarz\u0131, o y\u0131llarda d\u00fcnyadaki genel sanat e\u011filimi olan soyut ak\u0131ma do\u011fru kayan Dino, k\u0131sa bir s\u00fcre sonra fig\u00fcratif resme d\u00f6n\u00fc\u015f yapar.<\/p>\n\n\n\n

Dino\u2019nun Paris\u2019te bulundu\u011fu d\u00f6nemde 68 olaylar\u0131 patlak verir. Olaylar\u0131n i\u00e7inde bizzat yer alarak \u00e7izimler yapan ve bunlar\u0131 eylemci \u00f6\u011frencilere da\u011f\u0131tan Dino\u2019nun 68 ku\u015fa\u011f\u0131 temal\u0131 eserleri Sorbonne \u00dcniversitesi\u2019nde sergilenir.<\/p>\n\n\n\n

On sekiz y\u0131l sonra T\u00fcrkiye\u2019ye d\u00f6nen Dino, g\u00f6zalt\u0131na al\u0131nsa da serbest b\u0131rak\u0131l\u0131r. Paris\u2019te yapt\u0131\u011f\u0131, \u0130stanbul \u00f6zlemini yans\u0131tan eserlerden olu\u015fan \u201cEzbere \u0130stanbul\u201d isimli sergisini a\u00e7t\u0131ktan k\u0131sa bir s\u00fcre sonra Paris\u2019e d\u00f6ner.<\/p>\n\n\n\n

Abidin Dino bir\u00e7ok \u00fcnl\u00fc yazar\u0131n kitap kapaklar\u0131n\u0131 da tasarlar. Ya\u015far Kemal\u2019in \u201cDeniz K\u00fcst\u00fc\u201d, Pertev Naili Boratav\u2019\u0131n \u201cT\u00fcrk Masallar\u0131\u201d alb\u00fcmleri bunlardand\u0131r. Amerikal\u0131 \u00fcnl\u00fc fl\u00fct sanat\u00e7\u0131s\u0131 Herbie Mann\u2019in alb\u00fcm kapaklar\u0131n\u0131 da Dino\u2019nun resimleri s\u00fcsler.<\/p>\n\n\n\n

Resim ve desenlerinde el, y\u00fcz ve \u00e7i\u00e7ek temalar\u0131n\u0131 \u00f6n plana \u00e7\u0131karan Dino, Frans\u0131zca yazd\u0131\u011f\u0131 \u201cLes Mains (Eller)\u201d kitab\u0131na \u015f\u00f6yle ba\u015flar:<\/p>\n\n\n\n

\u201cEl, \u00f6zvarl\u0131\u011f\u0131n salt imgesidir. \u00d6zportredir.\u201d<\/p>\n\n\n\n

Dino, John Berger\u2019e \u0130bni Arabi\u2019nin y\u00fcz konusundaki \u015fu s\u00f6zlerini aktar\u0131r:<\/p>\n\n\n\n

\u201c\u00c2dem\u2019den zaman\u0131n sonuna kadar ya\u015fam\u0131\u015f ve bir g\u00fcn ya\u015fayacak olan herkesin y\u00fcz\u00fcn\u00fc g\u00f6r\u00fcyor ve bir yere kaydediyorum.\u201d<\/p>\n\n\n\n

A\u00e7t\u0131\u011f\u0131 sergide resimlerine bak\u0131p \u201cBu resimdeki mesaj\u0131n\u0131z nedir?\u201d diye soran bir sanatsevere, \u201cPostac\u0131 de\u011filim ki mesaj\u0131m olsun\u201d cevab\u0131n\u0131 veren Abidin Dino\u2019nun kendine \u00f6zg\u00fc bir ki\u015fili\u011fi vard\u0131r.<\/p>\n\n\n\n

Yak\u0131n arkada\u015flar\u0131ndan Ferit Edg\u00fc\u2019n\u00fcn, \u015fu s\u00f6zleri, Dino\u2019nun karakter yap\u0131s\u0131yla ilgili \u00f6nemli ipu\u00e7lar\u0131 verir:<\/p>\n\n\n\n

\u201c\u015eu soruyla \u00e7ok s\u0131k kar\u015f\u0131la\u015ft\u0131m: \u2018Abidin sence b\u00fcy\u00fck bir ressam m\u0131yd\u0131?\u2019 Hay\u0131r, diye yan\u0131tlad\u0131m bu soruyu her zaman. Ama e\u015fi olmayan bir insan, bir sanat\u00e7\u0131yd\u0131.\u201d<\/p>\n\n\n\n

T\u00fcrkiye ve d\u00fcnya \u00e7ap\u0131nda bir\u00e7ok sanat\u00e7\u0131 ile dostluklar kuran, ortak \u00e7al\u0131\u015fmalar y\u00fcr\u00fcten Dino\u2019nun Naz\u0131m Hikmet\u2019le dostlu\u011fu i\u00e7in ayr\u0131 bir parantez a\u00e7mak gerekir.<\/p>\n\n\n\n

Naz\u0131m\u2019\u0131n \u201cSesini Kaybeden \u015eehir\u201d adl\u0131 kitab\u0131n\u0131n kapa\u011f\u0131na desenler \u00e7izmesiyle ba\u015flayan bu dostluk, b\u00fcy\u00fck \u015fairin vefat\u0131na kadar devam eder.<\/p>\n\n\n\n

Naz\u0131m Hikmet ile Abidin Dino dostlu\u011fu hakk\u0131nda Ferid Edg\u00fc\u2019n\u00fcn yapt\u0131\u011f\u0131 \u015fu tespitin alt\u0131n\u0131 \u00e7izmekte de yarar vard\u0131r:<\/p>\n\n\n\n

\u201cNaz\u0131m gibi \u00e7ok kad\u0131nl\u0131 a\u015fklar\u0131n adam\u0131 de\u011fildi. Naz\u0131m, belki de kimi \u00e2\u015f\u0131klar gibi, a\u015fka \u00e2\u015f\u0131kt\u0131. Abidin i\u00e7inse a\u015fk, G\u00fczin demekti.\u201d<\/p>\n\n\n\n

Abidin Dino ile Naz\u0131m Hikmet aras\u0131ndaki dostlu\u011fun en g\u00fczel \u00f6rneklerden biri de Naz\u0131m\u2019\u0131n \u201cSaman Sar\u0131s\u0131\u201d adl\u0131 \u015fiirinde ge\u00e7en \u201cSen mutlulu\u011fun resmini yapabilir misin Abidin\u201d dizesidir. Abidin Dino belki mutlulu\u011fun resmini yapmam\u0131\u015ft\u0131r ama 1993 y\u0131l\u0131nda hayata g\u00f6zlerini yumdu\u011funda arkas\u0131nda a\u015fa\u011f\u0131daki dizeleri b\u0131rakm\u0131\u015ft\u0131r:<\/p>\n\n\n\n

\u201cKokusu buram buram t\u00fcten<\/p>\n\n\n\n

Limanda simit satan \u00e7ocuklar<\/p>\n\n\n\n

Mart\u0131lar\u0131n tela\u015f\u0131 bamba\u015fka<\/p>\n\n\n\n

\u0130\u015f\u00e7iler g\u00f6zler yolunu.<\/p>\n\n\n\n

\u0130nebilseydin o vapurdan<\/p>\n\n\n\n

Aya\u011f\u0131nda Varna\u2019n\u0131n tozu<\/p>\n\n\n\n

Y\u00fcre\u011finde ince bir s\u0131z\u0131.<\/p>\n\n\n\n

Mavi g\u00f6zlerinde yan\u0131p tutu\u015fan<\/p>\n\n\n\n

Hasretle kucaklayabilseydim<\/p>\n\n\n\n

Seninle, bir daha.<\/p>\n\n\n\n

Davullar \u00e7alsa, zurnalar s\u00f6yleseydi<\/p>\n\n\n\n

Ba\u011fr\u0131m\u0131za bassayd\u0131k seni Naz\u0131m,<\/p>\n\n\n\n

Yapard\u0131m mutlulu\u011fun resmini<\/p>\n\n\n\n

Ba\u015f\u0131nda delikanl\u0131 \u015fapkan,<\/p>\n\n\n\n

Kollar\u0131n s\u0131val\u0131, kavgaya haz\u0131r<\/p>\n\n\n\n

Bahriyeli ad\u0131mlarla d\u00fc\u015f\u00fcp yola<\/p>\n\n\n\n

Gidebilseydik meserret kahvesine,<\/p>\n\n\n\n

\u0130lk kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z yere<\/p>\n\n\n\n

Ve bir ac\u0131 kahvemi i\u00e7seydin.<\/p>\n\n\n\n

Anlatsayd\u0131k<\/p>\n\n\n\n

O g\u00fcnlerden, ge\u00e7mi\u015ften, gelecekten,<\/p>\n\n\n\n

Ne g\u00fcnler biterdi,<\/p>\n\n\n\n

Ne geceler\u2026<\/p>\n\n\n\n

Dinerdi t\u00fcm ac\u0131lar seninle<\/p>\n\n\n\n

Bir d\u00fc\u015f olurdu ayr\u0131l\u0131\u011f\u0131m\u0131z,<\/p>\n\n\n\n

An\u0131larda kalan.<\/p>\n\n\n\n

Ve dola\u015fsayd\u0131k T\u00fcrkiye\u2019yi<\/p>\n\n\n\n

Bir ba\u015ftan bir ba\u015fa.<\/p>\n\n\n\n

Yatt\u0131\u011f\u0131m\u0131z yerler m\u00fcze olmu\u015f,<\/p>\n\n\n\n

S\u00fcrg\u00fcn \u015fehirler cennet.<\/p>\n\n\n\n

\u0130\u015fte o zaman Naz\u0131m,<\/p>\n\n\n\n

Yapard\u0131m mutlulu\u011fun resmini<\/p>\n\n\n\n

Buna da ne tual yeterdi;<\/p>\n\n\n\n

Ne boya\u2026\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

AYTUN\u00c7 AYHAN – Ressam, karikat\u00fcrist, seramik\u00e7i, \u015fair, sinemac\u0131, senarist ve daha pek \u00e7ok alanda eserler vermi\u015f \u00e7ok \u00f6zel bir sanat\u00e7\u0131d\u0131r Abidin Dino. Bir\u00e7ok alanda eser vermi\u015f, d\u00f6nemin zor \u015fartlar\u0131na ve b\u00fct\u00fcn engellemelere ra\u011fmen yarat\u0131c\u0131 ki\u015fili\u011fini eserlerinde g\u00f6sterebilmi\u015f bir sanat\u00e7\u0131 ruhtur. 1913 y\u0131l\u0131nda \u0130stanbul\u2019da do\u011fan, \u00e7ocuklu\u011funu \u0130svi\u00e7re\u2019de ge\u00e7iren bu pa\u015fa torununun…<\/p>\n","protected":false},"author":1,"featured_media":3369,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false},"categories":[3532],"tags":[4683,4684,4697,4692,4699,3621,3533,969,4686,4700,3237,4689,4694,4690,3236,4685],"_links":{"self":[{"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/posts\/3367"}],"collection":[{"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/comments?post=3367"}],"version-history":[{"count":1,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/posts\/3367\/revisions"}],"predecessor-version":[{"id":3370,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/posts\/3367\/revisions\/3370"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/media\/3369"}],"wp:attachment":[{"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/media?parent=3367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/categories?post=3367"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hayatitek.com\/wp-json\/wp\/v2\/tags?post=3367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}